Film Edition - iPhone 16 Pro Max

The anamorphic lens flares are gorgeous when shooting into streetlights at night, and switching to the 58mm telephoto for detail shots feels seamless. The hybrid filter stays in place without loosening during a full day of shooting, which was my biggest worry.

I’ve been using the Telephoto 58mm for macro-style shots of my kids’ toys, and the clarity is stunning. Switching between that and the Anamorphic for wide panoramic clips is surprisingly smooth with the Hybrid Filter. Definitely feels like a proper mini cinema rig in my pocket.

The anamorphic lens flares at golden hour are pure cinema, and the hybrid filter switching between it and the 58mm takes seconds. I shot a whole short film yesterday without swapping a single piece of gear, and the footage honestly looks like it came off a real camera.